Tuesday, January 24, 2012

Pastiche "Island"

Last Saturday, I heard on the radio the broadcast of The Enchanted Island from the MET. Having complained about the visual excess of its stage production, I anticipated a better musical integration. It was pleasanter, no doubt, to hear a program of Baroque music, but without the spectacle to distract, the musical pastiche showed seams, apparent even to my inexpert ear. I was hearing Handel and suddenly it was not Handel. True, Baroque composers, including Handel, practiced pastiche but as with Rossini later, he pieced together segments of his own compositions and if he used those of other composers he most likely made them his own. A pastiche by a third party is a different kettle of fish, more like a potluck supper, sumptuous but without a signature. Without a single commanding hand, seams may be smoothed out but they still show.

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